Page 107 - Lion - Trade 56

ainsborough
gainsboroughproducts.com
Traditional Oil Painting Restoration Materials
Made in USA
Browse for more user information
Gainsborough products are
for use in the restoration of
oil paintings. Many are old
European museum formulas,
carefully compounded with the
finest ingredients, manufactured
to the original specifications
under scrupulous batch by batch PUB028 control.
LION cannot accept any liability for Gainsborough problems arising from mis-use of range, with user these specialised materials. info. 4pp
Damar Gloss Varnish
PUB032
Repairing a damaged canvas 1pp
PUB033
Cleaning an oil painting 1pp
PUB065
Gainsborough Varnish removers 2pp
Fine quality made from natural resin.
Used to protect oil paintings from the environment and bring out the true colours of the pigments. It provides a glossy, colourless finish and the rich look of the old masters.
Apply with a 50mm high quality varnish brush. Reversible. #PC 1030
7170
Damar Gloss Varnish
Neutralizer
237ml
£36.95
Picture Repair Putty
Used for filling areas of missing paint and repaired tears and holes.
Important on oil paintings
to prepare the surface for
Complete Manual of Oil Painting Restoration
Gainsborough’s ‘Complete Manual of Oil Painting Restoration’ is a comprehensive “how to” text explaining the use of Gainsborough’s products in the restoration of oil paintings.
Manual covers procedures for cleaning, varnish and linoxyn removal, conditioning, canvas patching, lining, strip lining, consolidating loose paint, facing, filling in repaired tears, in-painting and varnishing oil paintings.
There are also chapters on the use of ultra-violet light for inspection of artwork; restoration of picture frames, including cleaning, casting ornamental
Necessary for stopping cleaning action. Use with Emulsion Cleaner, 4778, Varnish Remover, 4557, and Gainsborough’s other varnish removal products. Apply liberally to remove all of the cleaning solvent residue. #PC 11
inpainting. It is white in colour and can be sanded or textured to match the painting’s surface. Apply with a small palette knife. #PC 1111
4559 Neutralizer 473ml £34.88 Complete Patching Kit
for Oil Paintings
Kit No.2
7168
For use in repairing tears or punctures in oil paintings. See website for list of contents
7171
Picture Repair Putty
Varnish Softener
59ml
£15.45
Useful for the softening and
removal of aged varnish films
from oil paintings. After the
varnish has softened, remove
with Varnish Remover, 4557.
Wipe the cleaned area with Gainsborough’s Neutralizer,
4559, to stop the cleaning action. #PC 127
7168
Canvas patching Kit No. 2 £47.45
Non-Penetrating Patching
Kit for Oil Paintings
7166
Varnish Softener
Varnish Remover
473ml
£40.65 pieces and antiquing; technical tips and more. The Manual provides metric equivalents for most measurements. Illustrations throughout show techniques and procedures to be used as well as “before” and “after” views of paintings.
Kit No.3
7169
Use in repairing tears in oil paintings that can be closed to within 5mm or less. Info on website.
4557
Varnish Remover
473ml
£38.85
#PC 27
4778
For removal of aged linoxyn films (linseed oil) from oil paintings. Use Linoxyn Remover with utmost care to avoid softening and removing paint. Apply with cotton swabs. Wipe the cleaned area with Neutralizer, 4559, to stop the cleaning action. #PC 211
9229 Linoxyn Remover 237ml £39.95 Check stock & order 24/7: lionpic.co.uk
3903
Used for reconditioning dried and brittle canvas on old oil paintings.
Apply to the back of the canvas and allow to penetrate. Wipe off excess with Neutralizer, 4559. Do not line or patch painting for two weeks after use to ensure good adhesion. Do not use on newly in-painted or varnished paintings. #PC1020
Manual of Oil Painting Restoration
Conditioner
£57.45
7169
Canvas patching Kit No. 3 £47.50
Emulsion Cleaner
For removal of aged damar varnish and some mastic or copal varnish films from oil paintings. Apply with cotton swabs and wipe the area with Neutralizer, 4559, to stop the cleaning action.
#PC 123
Important - the information given in this excellent text is not enough to qualify the reader as a professional restorer.
Removes household dirt, tobacco and coal smoke from oil paintings. Apply Emulsion Cleaner with cotton swabs, and wipe the area with Neutralizer, 4559, to stop cleaning action. See website for more user information
Published by Gainsborough Products LLC. 126 pp. USA #B5000
Mastic Varnish Remover
Linoxyn Remover
Used for removal of stubborn, aged, mastic varnish films from oil paintings. Apply with cotton swabs. Wipe the cleaned area with Neutralizer, 4559, to stop the cleaning action. #PC 151
7167 Varnish Remover 473ml
£36.95 4558B Conditioner 473ml
£31.45
Emulsion Cleaner 237ml
£25.45
107
GAINSBOROUGH Oil Painting Restoration
Varnish
Conditioner
Neutralizer
Remover
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4557 Varnish Remover 473ml
£ 26.90
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V4V7ar7n8is,hVaSRroenfmtisehonveRere,r,m771o16v6e7,r,M4an5ads5t7ic, L4i5n6in0g. Compound Remover, clAepanpilnyglibsoelrvaellnyttroesriedmueo.ve all thCeasntraelnsogthbeouf sGeadintosbdoirlouutegh products listed / marked a#boPvCe-.11
Mastic Varnish
4558
Conditioner
473ml
£ 35.75
Remover
Emulsion Cleaner
any waxy residue on the face of the painting, risking the rBeemvao®va3l7o1fFfrilemshispraeimntoavnadblveawrnitishha.nAirpoantcohraGdahinesrebdorwouithgh’s #PC-11 Neutralizer (Lion 4569) at any time in the future. Gainsborough’s PK-3 Non-Penetrating Patching Kit No. 3 (inLisotrnu7c1ti6o9n)sfonreOceilsPsarinyttinogpsactcohmaens owilitphatihnetinpgroudsuincgtstahnisd method.
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4559
Neutralizer
473ml
£ 24.60
wcleitahnceodttaorneaswaibths.NWeuiptreatlihzer, 4ac5t5io9n,.to stop the cleaning #PC-151
7167 Mastic Varnish Remover
Damar Gloss
Varnish Softener
Apply Emulsion Cleaner with a cotton swab
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idGsiaruti,snetsodbbofaorocrcuroeghms’msoEvoamkleuoalfsnihodonucCosealehlaosnmldeorke sfrwoambso.il paintings. Apply with cotton NWeuiptrealtizher,c4le5a5n9e,dareawith
atoctsitoonp. the cleaning
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GCaoinmsbporuoungdh’fsoCroLminplientge MOainl uPaal ionftOinilgPsa:inting Restoration #B-5000 (Lion 3903) provides step-by-step iGnasitnruscbtoioronusgfohr’sliPnCin-g10a3n5oLldinoinilgpCaoinmtinpgouondc. anvas using
www.gainsboroughproducts.com
Nstoeputtrhaelizceler atoning
action.
#PC-27
LION Picture Framing Supplies Ltd
#PC-127
www.lionpic.co.uk info@lionpic.co.uk
Any prices quoted are correct as at November 2015. Please check before ordering.
7166 Varnish Softener
473ml
£ 31.10
4778 Emulsion Cleaner
237ml
£ 17.80
7170 Damar Gloss Varnish
237ml
£ 28.05
148 Garrison Street, Birmingham B9 4BN TOepl:e0n1921- 7573M1o2n3d0ayFtaoxF: r0id12ay1 771 2540
ainsborough
Gainsborough offer two methods of repairing a torn or punctured oil painting on canvas. The damaged area of the p(aadinhteinregdc)aontboeapnaetcwhesdupoprothrteinegnctairnevpaasi.nStienvgecralnfabcetolirnse,d discussed below, should be considered to determine when patching may be a good choice for repairing a damaged oil pbaeinctoingsidaenrdewdhinesnteaafdu.ll lining of the entire canvas should
In deciding which repair method to use, bear in mind that tohfethoeuptlianientoinfgaopvaetrchtimea,yabnedccoamnebveisaivboleidferodmbythleinfinrognthe entire painting. A patch in a busy part of the painting may be less noticeable than a patch in a solid area. Gpernfoermalelyd,pifathcehintegaorfoarnpuonilcptuarinetinsgsmshaollu.Lldarognelyobremultiple tears and punctures usually call for lining the entire canvas to provide the painting with the strength to make the repair sauncocledsosfilupl.aItinctainggweinthermalulyltibpeleatsesaurms eisdinthatfrtahgeilceasntvaates aonf d susceptible to additional damage if it is not reinforced with a new supporting canvas. Lining a damaged oil painting onto ais ninewa wcaenavkaesnreadthceorntdhiatinonp:abtcrihttilnegainsdadfrvaigsaileblceainf vthaes,canvas thinning areas of the canvas, torn where it wraps around the stretcher frame, flaking paint, cracks in the paint, or multiple tears and punctures. Itefhxtephetendasarivmoeraapgluetendrcnotauiltripev,aepinfaottirncrhgeinipsgaiinorinffggeoroasddacaqomunaidcgkiteiodrnaconatdnhvelearst,shwahnile keeping the rest of the painting in its original condition. A pLianticnhgaCdohmerpeoduwndithorGBaeinvsab®o3ro71ugFhilm’s #caPnC-b1e03re5m(Loiovend39if02) lining the painting to a new canvas is desired at some point ibnethdeamfuatugreed. Hduorwinegvethr,ethperoficlelesds-iannadnwdililnhpavinetetod baererae-will applied. Poacctcuhrisnignmaareylabteivperleyfneerawbloeiltpoalinitningi,fbaetceaursoertphuenpcatuinret apnadintvarnndisvhaarnreishstcillasnosft.icDkutrointghethpealpineirn, gimpproascteossc,afnrebseh flattened and varnish and paint can be removed while removing excess Lining Compound.
Using Gainsborough’s #PC-1035 Lining Compound for Patching Oil Paintings: Wonhceannpvatsc,hGinaginasbteoaroruogrhp’sun#cPtCur-e10i3n5anwaoxil-preasininting
Lining Compound is advisable for repairs that require consolidation of loose paint, for holes or tears that cannot bhoeleclsorseqdutiorinwgitahifinrm3mbmacikninwgid. Lthin, ionrgfoCrolmarpgoeutnedarws iallnd ptoehnoeltdradteowthnroaungyhlothoesepnaetcdhpanindt ianstolotnhge aosrigthineapl acainntvas
Oil Painting Restoration Materials
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Visit: www.gainsboroughproducts.com for more information and instructions. VGiasitnsobuorrwouegbhsitper,owduwcwts.linonthpiiscb.cro.cuhkuarendpltuyspseeGvearianlsobtohreorusgfhroimntothtehier esexatercnhsivbeoxra. nYgoeu.’ll find all
ficalmnvansdsghrowuindg awrheesreptahreatpinaginftrohmastflhaekceadnovffas) r(abtahrer than paint film separating from the ground or undercoat (paint cfloakloerdaonffd)n. Ioftthbearpeacinatnfivlams ishsoewpianrgatwinhgerfreotmhethpeaignrtohuansd opratucnhdinegrcwoiatht, a#PtoCr-n10o3il5pLaiinitninggCcoamnpsotiullnbdeorer pBaeivread® 3b7y1 Film, but the consolidation of the paint will need to be done from the front of the painting. A patch adhered with #anPyCt-i1m03e5inLtinhiengfuCtuorme.pound is removable with an iron at Gainsborough’s PK-2 Complete Patching Kit for Oil Paintings (Lion 7168) comes with the products and instructions necessary to patch an oil painting using this method. Using Beva® 371 Film for Patching Oil Paintings: Wcahnevnasp, aBtechvain®g3a71teFailrmorispauncatlutererniantiavne omilepthaoindtinwgheon the daomesangoetdraerqeuairceacnobnesoclliodsaetidontoowf liothoisne3pmaminto. r less, and Beva® 371 Film produces a “nap bond” and does not pcoenseotrlaidtaetethlroousgehpthaeinto.rBigeinva®l c3a7n1vFaislmormlianyenbepatgchootod choice for relatively new paintings, because a lower iron temperature is used, and you will not need to remove
LION cannot accept any liability for problems arising from mis-use of these specialised materials.
Cleaning & Varnish Removal
473ml
£ 26.90
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WMahneureavl eorf yOoiul Psaeientihnigs sRmeastlol rpaitcitounr,e3o9f0th3e, tchoevneirnostfrGucatiinosnbsofrorutghhe’suse of that product are included in the Manual.
PleParsiececshceucrkreont oaus rawt Feebbsrituearoyr 2w0it1h2o. ur sales office before ordering.
Varnish
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the
Repairing a damaged canvas
V.2 11/2015
Patching vs. Lining
PUB 032